Metal Mavens


Artisan-made metalwork is an integral element of many homes in the Southwest.  Dallas-based Potter Art Metal Studios can meet most requests, as it works with everything from iron, brass and copper to bronze, aluminum and pewter.  Designer Izabela Wojcik says she can build almost anything from metal, including gazebos, lanterns, fencing, stair rails, sconces, chandeliers and tables.

Potter Art, which specializes in light fixtures, created this Gothic-style exterior ceiling fan and chandelier in solid brass and copper to serve as a dramatic focal point for a gazebo.  The company relocated to a larger showroom at 4827 Memphis St. earlier this spring.  To learn more about what it has to offer, stop by the studio, go online to http://www.potterartmetal.com, or call (214) 821-1419. Phoenix Home & Garden, May 2007 issue.


Wrought With Possibilities: Dallas Morning News

Dallas Morning News

Saturday, May 29, 2010

Local Talent

Wrought with possibilities

by Rita Cook (social contributor)



Polish-American metal artist and designer Izabela Wojcik, 31, says she finds inspiration for her work just about anywhere. Really, the possibilities are endless, and my ideas come from maybe seeing a fixture to sometimes even noticing a funny clasp on a shoe," she says.

Wojcik works for Potter Art Metal Studios in Dallas, designing custom pieces such as chandeliers, gazebos and even staircases, and doing everything except twisting the metal.

"I don't specifically do the metal work, because I would break my arms doing what the guys do here," she says.

She has cultivated her knowledge of metals, taking into consideration not only the beauty of a piece, but also its functionality. When designing a piece in metal, you have to know how the metal will work together and to what extent they can be manipulated," she says.

She starts with paper and pencil and sometimes uses a computer. After her design is completed, company meal artisans forge the pieces.

The Potter studios did the metalwork on many historic homes in the Lakewood neighborhood, as well as light fixtures at Fair Park and White Rock Lake, among other Dallas landmarks. Wojcik, who received a liberal arts degree in 2001, has been with the company since 2005.

She says clients seem to be asking for interior railings, doors, chandeliers and exterior lanterns, usually in wrought iron. She says that's the strongest metal, and also a good choice for cost-conscious homeowners. She says this season's colors are either chocolate rust or natural wrought-iron look.

The most unusual item she's designed since working at Potter would be the Art Nouveau fireplace mantel for developer Trammell Crow.

"Between that first drawing and when the piece was actually completed about six months later, lots of changes were made," she says. The finished piece - 600 pounds of hand-wrought and polished iron - "looked like a piece of museum-quality art for sure."

Pieces for her work range from $800 for a candle wall sconce to $3,750 for a lantern to $18,000 for a bronze table.

She's currently working on a pine-tree interior railing to be made from wrought iron.

"The client for this particular piece is surrounded by pine trees and wanted to bring the outside into their home. The pinecones, needles and tree-branch textures are amazingly realistic; we even made little baby pinecones among the needles," she says.

Wojcik also continues her personal artistic pursuits, creating bronze sculptures, oil and acrylic paintings, pencil drawings and glass art.

"Unless I'm specifically commissioned for a project, I really never have any idea where a piece will take me," she says. "It is not until after the artwork is completed and I have had time to take it in that I can let the feelings come to me and realize what has been put on canvas or molded in clay.
Izabela Wojcik's work is available through Potter Art Metal Studios, 4827 Memphis St., Dallas; 214-821-1419. See samples of her work at www.potterartmetal.com or www.belaart.com

Rita Cook is an Arlington-based freelance writer

Celebrating Over 25 Years in White Rock

Celebrating over 25 years in White Rock

Read the White Rock Lake Weekly article by Shari Stern: 

Celebrating 25 Years or More in White Rock

Walking into Potter Art Metal Studios is like being transported to another country – Italy, Poland, maybe Germany. That’s because the craft dates back to the Old World. Graceful stairways, idyllic fountains, rustic lanterns, spectacular light fixtures, functional tables that are works of art, dramatic etageres, life-like animal sculptures, unique sconces, bird houses, pot racks and so much more in this treasure trove evoke pure awe. It is a melting pot of cultures, just like our city. When Alexander Potter stepped off the boat into America, he brought his knowledge of Old World hand metalworking with him, settled in East Dallas, and passed the craft along to his son, Henry. Neighbors of the pioneering artisan admired the lights he crafted for his porch, and wanted to purchase his lanterns. Not being a trophy wife, Mrs. Potter showed the product to a buyer at Sanger Brothers Department Store (precursor to Sanger Harris), who placed an order for 100 lanterns. The Potters had turned Henry’s hobby of making small wrought iron lanterns in his East Dallas garage into a thriving business.
Today, Alexander’s great-grandson, Richard Potter, is president of the privately held company, celebrating 90 years in business this year. This family has the formula down. A fifth-generation Dallasite, Richard lives by White Rock, where, while biking around the lake, he enjoys seeing his studio’s art as part of the tranquil scenery. Potter chief artist and designer, Izabela Wojcik, who is originally from Poland, also lives by the lake, and is a graduate of Lake Highlands High School.
Some of Potter’s pieces at White Rock Lake, many of which have been there for generations, include bridge and post lanterns, sconces for the Sunset House, and sconces for the Big Thicket, along with its chandeliers, which were created by Richard’s grandfather, and restored by Richard. Recently, the original lights on the bridge at Garland Road that Alexander built were not working because vines were growing inside them. So Richard kept after the City to trim the vines until the lights worked again. Potter does its own gas and electrical wiring.
Potter’s art graces some of the most recognizable Dallas homes, as well as high-end residential and commercial projects, including homes, municipal buildings and churches around the country. One of the oldest metal studios in the Southwest, Potter Art Metal Studios’ work can be seen at the historic Clifford Hutsell and Charles Dilbeck homes in Lakewood, Trammell Crow’s home, the Highland Park Library, the Town of Highland Park and Fair Park. Other projects include Highland Park United Methodist Church, the Hunt Oil building, Stoneleigh Hotel and Christ the King Catholic Church. Much of this décor, fashioned from steel, brass, bronze, copper and aluminum, will become heirlooms through the years.
Filling orders around the country, Potter sends a team of artisans to a location where they work as long as it takes to get the job done – sometimes a few weeks, with a recent project in Aspen, where they created and installed copper lighting, chandeliers and fireplace screens. For a job in San Francisco, a team first went to take measurements.
They came back and built an interior stair railing and exterior balcony and stair rails in the shop, then went back to install them. They had a Golden Gate Bridge view while working, which took most of the summer. Somebody’s got to do it!
“The metal artisans enjoy what they do. They like working with raw metal, copper, brass, glass and creating functional art. They are nit-picky on quality. I let them make their own decisions,” Richard said.
“I have enough trained artisans to oversee helpers.”
Of Potter’s 30 employees, one of whom has been with him for 15 years, most are from European countries, including Poland, Germany and Czechoslovakia.
“We work with so many different kinds of people. We created the six-foot-tall bell tower, crafting copper finials on four corners, on the Cathedral of Guadalupe downtown on Ross and Pearl, where my grandfather got married.” Potter continued, “I’ve carried on working for churches in which my grandfather built the original altars.”
Potter said the business’ mission is to continue to design the finest in metalwork and functional art – “jewelry for the home.”
Potter, who flew helicopters right up until he crashed one, attended St. Marks School of Texas, before graduating from Highland Park High School. He earned a business degree from SMU.
He grew up in his grandfather’s, then his father’s shop, creating his first metal art when 11-years-old. He lost his grandfather while in his early 20s. Potter’s 21-year-old triplets work in the studio during the summer. His daughter, who graduated from Bishop Lynch High School, is at the University of Colorado. One son goes to Texas Tech and the other attends Richland College.                “I know I’m fortunate to work at what I enjoy, and to have people around me who love their work, too. I have a great team of talented, loyal artisans who bring unique backgrounds and finely-honed skills to our creations.”
Potter Art Metal Studios is located at 4827 Memphis Street, Dallas, Texas 75207.  The showroom and studio are open Monday through Friday from 8 a.m. to 4 p.m. and closed Saturday and Sunday. For more information, visit www.potterartmetal.com or call 214-821-1419.

Ideas In Action

Dallas Business Journal - August 6-12, 2010



IDEAS IN ACTION


Iron Man


POTTER ART META STUDIO FORGES WORKS OF FUNCTIONAL ART WHILE GROWING A 90-YEAR-OLD FAMILY BUSINESS LEGACY
BY CHRIS CYREK | STAFF WRITER


Showers of sparks, the clank of hammer against anvil, the whir of a high-speed circular saw. These are some of the sights and sounds in Richard Potter’s Potter Art Metal Studio, a 90-year-old family enterprise. The high-end metal shop, started by Potter’s grandfather Henry in 1920, has developed a reputation for quality and artistry.


Evidence for this can be found on the bustling work floor: soaring stair railings that appear to be entwined by flaring pine cones, driveway gates that close to form the branches of an oak tree, a chandelier that looks as if it was spirited away from a hobbit’s hole.


“The quality and detail that I put into a thing,” says owner Richard Potter, a fourth-generation metalworker, “is, I think, fairly reflected in the price.”
The focus on high-end work has allowed the shop to grow despite prevailing economic pressures. “Plus, people are coming directly to the manufacturer, so they’re not dealing with a retail store markup.” Potter sells directly from the shop to customers nationwide.


The Metalwork – a typical fan/chandelier installation can run up to $10,000 – has helped Potter Metal withstand the recession.  Lean times were met with shared sacrifices as costs were cut.
A rebuilt website, new advertising initiatives and positive press concerning recent high-profile projects – such as an 11-foot tall chandelier built for the council chambers in University Park and a strikingly original fireplace built for longtime friend Trammell Crow – also are helping the studio get Potter’s name out.  “More and more contacts are from out of town and out of state,” Potter says.
Potter grew up in the shop, once located on Knox-Henderson at Central Expressway.


“When I was a kid, we didn’t have computers, barely any TV.  The fun thing for me was coming down here and spending time in the back, watching the guys making different things,” he says.


Potter took over the shop in the 1970s, continuing a business his father, grandfather and great-grandfather worked in.  Three years ago, Potter moved the shop to a larger location off of Interstate 35.
The addition of creative director Izabela Wojcik in 2005 shaped a new direction for the studio, although Potter points out that many of their techniques his crew uses would be recognizable to his grandfather.


Founder Henry Potter began the business after meeting a salesman for Sanger-Harris (now Foley’s), who ordered 100 light fixtures after seeing Potter building lights for his house.  The business quickly grew, and some of the original work done by Henry Potter can still be found around Dallas, such as lighting fixtures that dot Fair Park.


World War II brought a new focus for the business, which shifted production to building aircraft parts.  The company’s payroll swelled to hundreds of employees, and the good times continued into the post-war boom, as the Potter studios left its mark on large churches, country clubs and homes throughout the ‘50s.
The family legacy continues today, says Richard Potter.  His three children – triplets – spend their summers in the shop, learning the family craft.  It’s a point of pride for Potter.


“I’m not here (working) as a hobby,” he says.  “I’m putting out the best product, made in the most efficient way.”


Customers at Potter Metal tend to come back, time and time again.  “We get clients that are around for years,” says Wojcik.


“They definitely do stand out,” says Kathy Hatcher, an interior designer wo has worked closely with Potter for a number of years.  “Their metalwork is unsurpassed.”  Hatcher praises the metal studio’s versatility and ability to work in styles and materilals as varied as art deco, Spanish and alabaster.


“Every last bit of what they do is hand-forged, and it’s made to last for centuries, and for generations,” she says.


Potter is proud of his shop’s legacy and of its ability to custom-build products to specification.


“The only thing that I won’t do is drop my quality,” Potter says.  “I’ve had some places that I as doing fixtures for, and they asked if we could do some cheaper pieces.  I said no.  Look, I am constantly on top of my guys to build things the best way possible.  The last thing I’m going to tell them to do is to go do the opposite.”

Lanterns by Samuel Yellin


As we carefully peeled back the bubble wrap, the Samuel Yellin light fixtures were exposed to the daylight and our eyes.  They were huge; much larger then we had expected them to be.

Project Dynamics entrusted us with these treasures so that we could convert them into gas lanterns.  Also, to hand forge new backplates with matching dragon heads and other fine details.

The new details looked as if they were there all along, we also fixed the time damaged wrought iron where it needed be.  You should have seen them; I will post a few pictures of the finished work as soon as possible.

I took a picture of Richard Potter inspecting the
Samuel Yellin light fixtures; he looks so small next to them.


In case you didn't know who Samuel Yellin was, here is a little wiki read:

"American master blacksmith, was born in Galicia Poland where at the age of eleven he was apprenticed to an iron master. By the age of sixteen had had completed his apprenticeship. During that period he gained the nickname of "Devil", both for his work habits and his sense of humor. Shortly after this he left Poland, traveling through Europe to England, where, in 1906, he departed for America. By 1907 he was taking classes at the Philadelphia Museum School of Industrial Art and within a year was teaching classes there, a position that he maintained until 1919.
In 1909 he opened his own shop and in 1915 the firm of Mellor, Meigs and Howe, for whom he designed and created many commissions, designed Yellin a new studio at 5520 Arch Street in Philadelphia where he was to remain until his death in 1940. The building continued to act as a functioning business under Yellin’s son Harvey’s direction. After his demise it served as the Samuel Yellin Museum.
During the building boom of the 1920s Yellin’s studio employed as many as 250 workers, many of them European artisans. Although Yellin appreciated traditional craftsmanship and design, he always championed creativity and the development of new designs. He was no slave to the past. Samuel Yellin’s handiwork can be found on some of the finest buildings in America."

UPDATE:
We found Samuel Yellin's signature on the light fixtures! So exciting!


And check out the brand new dragon backplate!  And now they're converted to a gas hanging lantern.  That wasn't so hard.


***For more information on my designs and the ornamental ironwork and lighting our metalworkers fabricate right here in Dallas, Texas go to www.potterartmetal.com


Dallas: The City Living Tour

Richard and I went to The House at Victory Park tonight, where the Dallas Symphony Orchestra League was proud to present the City Living Tour.  It was a designer show-house in a high rise setting.  All of the pent houses on the 18th floor were on display... fully finished by local designers.  We had a great time checking out what's new and hot in the design world.
Here are all the fabulous designers who worked on the About City Living Tour... many of them we have worked or are currently working with so it was extra fun spending time with them.
Check out whose work was on display:
Amy Thomasson, April Warner, Catherine Dolen, Charlotte Comer, David Cadwallader, Jaynelle T. Ip, Jessica Savage, Joanie Wyll, John, John Holstead, Julie Reynolds, Kathy Adcock-Smith, Kay Trout, Linda Fritschy, Margaret Chambers, Meri-Kay Star, Michelle Meredith, Peggy Zadina, Rhonda Vandiver White, Richard Trimble and a special presentation by Dwell with Dignity.

October 27, 2010: View from The House at Victory Park

An Evening With The Artists

I had such a lovely evening! Two artists (Anthony Powell and Daniel Kerem) walked into our studio; one an extraordinary wood carver, sculptor, water-gilder and restorer, and the other one a fantastic metal worker and world traveler who speaks quite a few languages. As they were about to leave the studio I decided to invite them both to dinner, and so we all met at LaDuni for the evening. I couldn't get enough of the stories of travel to distant lands, art, and buttons (long story).  The company was superb, the meal was fantastic, and the stories were to die for!


Earth Day Dallas 2011


I got a sweet message from Lanny at Earth Day Dallas and thought to pass the good news along.
I hope to see everyone downtown on April 22nd and 23rd in the Arts District.  The Earth Day Dallas festivities will begin at 10 a.m. on both that Friday (the official Earth Day) and Saturday.




The festivity packed days will be full of
 EXHIBITS, FUN, FOOD, and ENTERTAINMENT:


There will be live music at the Annette Strauss Artist square and One Arts Plaza.

I know Laimis is excited about this one: a bike rally on Saturday at One Arts Plaza! Oh Yes!

The Dallas Film Society will be presenting film shorts for your education and entertainment.  You can even suggest an environmentally focused and engaging film by e-mailing to info@earthdaydallas.org

You'll get to hear the thoughts and insights of environmental experts and advocates.  See the Event Calendar for specific times.

You'll have fun and learn how to be more environmentally conscious at the family picnic that Saturday, in the central portion of the Arts District.

There will even be Free Earth Day yoga classes!!!



Justin Terveen is Rescuing Japan! One Photo at a Time...

I was going to do my tiny little part and donate to the victims of Japan's terrible 9.0 earthquake & Tsunami, but before I had a chance to do so I logged onto my Facebook. Staring me in the face was a really awesome post by Justin Terveen:


Justin is like the official photographer of Dallas I think... anyway, I love his iconic images of Dallas' architecture.  So, I clicked on the link and saw that he was getting out there and doing something really great.  His images are up for grabs: printed, mounted, and ready to be hung in your favorite place.  All the proceeds will go directly to those in need via American Red Cross.

Image donated by Justin Terveen for
Japan's earthquake & Tsunami victims.
I ended up donating my part after work today.  No matter how large or small your donation, please take the time to give.  I am sure that you would want your neighbor to do the same if you were in a terrible situation like this one or many other ones around the world and even in our own back yards.  It's so simple these days; I'm sure that your local grocery stores will be taking $1, $2, $10 and so on donations, you can also do it online at the American Red Cross web site, you can even get one of Justin's beautiful photographs, or simply text REDCROSS to 90999 in order to donate $10.

The image above will hang in my living room; it will be a constant reminder that we all have the power to change the world for the better... one little piece at a time.


Small World: a Trip to the Ritz-Carlton

Today, Richard and I were invited by Kyle Crews to take a trip to the Ritz-Carlton; or more specifically, the Regency Row Homes.  The Homes were designed by architect Robert A.M. Stern.  Not familiar?  How about the Norman Rockwell Museum in Stockbridge, Massachusetts or the Disney Feature Animation Building in Burbank, California?  Aha!

Anyhow, we ended up sneaking a peak at two showcase plans at The Tower Residences while we were there; one was designed by Carleton Varney, and the other by Jan Showers.

Bedroom designed by Jan Showers; traditional design with
a twist... all about clean lines and comfortable glamour.
Carleton Varney, of course, is an interior designer who is well known for his hotel and resort restorations and a total color freak if you ask me, or just about anyone else out there.  When I walked into one of the guest bathrooms, I totally fell in love with the bold organic patterns on the wall.  It's not exactly something I would do in my own home, but it was awesome to see and appreciate.

Bathroom designed by Carleton Varney
for The Tower Residences in Dallas.

A little, big, side note:  So how small is the world, right?  Carleton Varney is a protege of Doroty Draper; a truly innovative American woman and interior decorator.  In 2006, the Women's Museum in Dallas hosted "In the Pink: The Legendary Life of Dorothy Draper."  A very awesome aluminum stair railing built by Henry Potter, Richard Potter's grandfather, for the Stoneleigh Hotel, which Dorothy worked on, was taken out of the historical Stoneleigh and displaid at the exhibition.  Kyle Crews was one of the organizers for the event, after which we (Potter Art Metal Studios) took the railing back to our shop and totally restored it.  On top of that, the Stoneleigh decided to add on a fabulous new spa down stairs, so we made a brand new railing which matched the historical one made by Richard's grandfather.  Cool, ha?  Small world indeed...

Aluminum railing at the historical Stoneleigh Hotel in Dallas.


Good Metalwork | Bad Metalwork

I suppose that at the end of the day, there is no such thing as bad or good metalwork (except, in some cases.)  The best way to explain this is through cars... Everyone understand cars.

A Honda Civic is a very good car.  A Maserati (just throwing out one everyone is familiar with) is also great car.  Both are owned by people with great taste.
Now, I might be presumptuous here, but add the means to the taste, and from the choices above, most of us would be driving around town in the Maserati.  All you have to do is look at the two next to each other and you'll feel the difference.

Same applies to metalwork.

I will be the first to say that I can not afford the metalwork I design and desire, but have a great appreciation for the skill it takes to make it and the feeling it gives me to see true beauty.  This is why I love getting a new house, new style, new set of challenges to work on.  I treat each project as if it was my very own, and always strive for it to reach its full potential.  It drives me sooo crazy when I see a beautiful home filled with less then worthy of stair railings, chandeliers, doors, drive gates and so on.

For the most part, I can't blame the owners of the homes, as they are simply used to seeing the above described metalwork all around them, and simply don't realize that there is something which is worthy of being called an heirloom of the future; an antique.  Not to mention that so many metal shops carelessly throw around labels such as "the finest", "hand wrought", and "attention to detail."  Words like this should be chosen carefully; at least in my opinion.

This weekend, I will organize some photos so that I can visually explain the difference in metalwork, and true beauty.

***For more information on my designs and the ornamental ironwork and lighting our metalworkers fabricate right here in Dallas, Texas go to www.potterartmetal.com

Mold Making

I had a question recently on the process of mold making.



Here is the most easy and painless way to make them: Go Talk To My Buddy Mitch Rogers!
He's the most sweet guy you'll ever meet and is super helpful.  On top of it, he can explain to you exactly what materials to use for what job and so on.  Mitch was actually nice enough to help me out with my Henry The Tortoise.  I sculpted him and Mitch helped me with the mold, since I decided to do that on my own instead of hiring a professional mold maker.  BITY (short of Brick In The Yard: his Mold Supply Company) has tons of options.  With all the options it's very easy to get super confused, but I promise he'll talk you right through it all.

There are lots of different types of Molds (or Moulds) out there, but for our purposes, we'll stick with what I do.

For me, a mold is a some sort of a rubber or silicone, which is in a liquid form and usually contains two parts.  When the two parts are mixed, the material can easily be applied with a brush onto a sculpted piece we want to cast in metal or plastic, or what ever else you desire.
It's much more complicated then this of course.  There are the obvious issues with, lets say, a brushed on rubber mold: Take it off the turtle and the mold will flop.  To fix this pesky problem you'll have to build a mother mold on top of your rubber mold.  A mother mold is built from something that will turn hard, and therefore will be able to support the shape of the floppy rubber mold.  I like to use a two part hard plastic or foam, or even plaster.
Another problem with a sculpture like Henry is that he's quite intricate... you can't just pull the mold off a piece like that.  So what can be done about that?  Well, the mold and mother mold will have to be engineered in parts which will be able to pull apart, but also stay together tightly for when you are ready to paint in the wax for the metal foundry or pur in some plastic for other purposes.

I'm sure your head hurts by now, so I suggest watching a few BITY videos... they'll greatly help you in your understanding of the process.  I'm going to plug in a few below, but he's got many more you can check out on YouTube.  If you have any questions, I'll try to help out.

  


Wrought vs. Cast

I live a dual art metal life... at Potter Art Metal Studios I work with Wrought Metal, and in my personal time I work with Cast Metal.
I always get this question: So what's the difference?
Here is the short and sweet version:

Wrought simply means that a piece of metal, usually a square or round bar or plate, is shaped by being hit with a hammer.  In the case of wrought iron, the metal is usually placed in the forge until it's red hot so that it can be pliable.  This is what we do at Potter Art Metal Studios.  Via this process our artisans forge pieces and make chandeliers, fandeliers, lanterns, drive gates, table bases, window grilles, decorative hinges, doors, and many, many, more pieces designed by myself or other designers.  The cool thing is that it's all custom, and therefore can be made into exactly what the client's dreams are.  {I will explain the different forging techniques in my next post.}

© All Rights Reserved

As I mentioned earlier, my personal time is spent with metal casting.  More accurately; creating my sculptures in clay, which is an important step in sand, spin, or lost wax casting.
The main difference in Wrought Metal and Casting is simple: casting is a process by which a metal such as bronze, iron, or aluminum has been melted down to a liquid, and then is forced into a mold (a negative of lets say a tortoise; an empty hole.)  It's a great process... from my imagination, to clay, to a mold, a wax, to investment, to metal, to a bronze tortoise.  And now you know! {I will explain what a mold is and the differences in the casting processes in the near future.}

© All Rights Reserved

***For more information on my designs and the ornamental ironwork and lighting our metalworkers fabricate right here in Dallas, Texas go to www.potterartmetal.com

***For Sculpture, Paintings, and Glass Art go to www.BelaArt.com