Celebrating Over 25 Years in White Rock

Celebrating over 25 years in White Rock

Read the White Rock Lake Weekly article by Shari Stern: 

Celebrating 25 Years or More in White Rock

Walking into Potter Art Metal Studios is like being transported to another country – Italy, Poland, maybe Germany. That’s because the craft dates back to the Old World. Graceful stairways, idyllic fountains, rustic lanterns, spectacular light fixtures, functional tables that are works of art, dramatic etageres, life-like animal sculptures, unique sconces, bird houses, pot racks and so much more in this treasure trove evoke pure awe. It is a melting pot of cultures, just like our city. When Alexander Potter stepped off the boat into America, he brought his knowledge of Old World hand metalworking with him, settled in East Dallas, and passed the craft along to his son, Henry. Neighbors of the pioneering artisan admired the lights he crafted for his porch, and wanted to purchase his lanterns. Not being a trophy wife, Mrs. Potter showed the product to a buyer at Sanger Brothers Department Store (precursor to Sanger Harris), who placed an order for 100 lanterns. The Potters had turned Henry’s hobby of making small wrought iron lanterns in his East Dallas garage into a thriving business.
Today, Alexander’s great-grandson, Richard Potter, is president of the privately held company, celebrating 90 years in business this year. This family has the formula down. A fifth-generation Dallasite, Richard lives by White Rock, where, while biking around the lake, he enjoys seeing his studio’s art as part of the tranquil scenery. Potter chief artist and designer, Izabela Wojcik, who is originally from Poland, also lives by the lake, and is a graduate of Lake Highlands High School.
Some of Potter’s pieces at White Rock Lake, many of which have been there for generations, include bridge and post lanterns, sconces for the Sunset House, and sconces for the Big Thicket, along with its chandeliers, which were created by Richard’s grandfather, and restored by Richard. Recently, the original lights on the bridge at Garland Road that Alexander built were not working because vines were growing inside them. So Richard kept after the City to trim the vines until the lights worked again. Potter does its own gas and electrical wiring.
Potter’s art graces some of the most recognizable Dallas homes, as well as high-end residential and commercial projects, including homes, municipal buildings and churches around the country. One of the oldest metal studios in the Southwest, Potter Art Metal Studios’ work can be seen at the historic Clifford Hutsell and Charles Dilbeck homes in Lakewood, Trammell Crow’s home, the Highland Park Library, the Town of Highland Park and Fair Park. Other projects include Highland Park United Methodist Church, the Hunt Oil building, Stoneleigh Hotel and Christ the King Catholic Church. Much of this décor, fashioned from steel, brass, bronze, copper and aluminum, will become heirlooms through the years.
Filling orders around the country, Potter sends a team of artisans to a location where they work as long as it takes to get the job done – sometimes a few weeks, with a recent project in Aspen, where they created and installed copper lighting, chandeliers and fireplace screens. For a job in San Francisco, a team first went to take measurements.
They came back and built an interior stair railing and exterior balcony and stair rails in the shop, then went back to install them. They had a Golden Gate Bridge view while working, which took most of the summer. Somebody’s got to do it!
“The metal artisans enjoy what they do. They like working with raw metal, copper, brass, glass and creating functional art. They are nit-picky on quality. I let them make their own decisions,” Richard said.
“I have enough trained artisans to oversee helpers.”
Of Potter’s 30 employees, one of whom has been with him for 15 years, most are from European countries, including Poland, Germany and Czechoslovakia.
“We work with so many different kinds of people. We created the six-foot-tall bell tower, crafting copper finials on four corners, on the Cathedral of Guadalupe downtown on Ross and Pearl, where my grandfather got married.” Potter continued, “I’ve carried on working for churches in which my grandfather built the original altars.”
Potter said the business’ mission is to continue to design the finest in metalwork and functional art – “jewelry for the home.”
Potter, who flew helicopters right up until he crashed one, attended St. Marks School of Texas, before graduating from Highland Park High School. He earned a business degree from SMU.
He grew up in his grandfather’s, then his father’s shop, creating his first metal art when 11-years-old. He lost his grandfather while in his early 20s. Potter’s 21-year-old triplets work in the studio during the summer. His daughter, who graduated from Bishop Lynch High School, is at the University of Colorado. One son goes to Texas Tech and the other attends Richland College.                “I know I’m fortunate to work at what I enjoy, and to have people around me who love their work, too. I have a great team of talented, loyal artisans who bring unique backgrounds and finely-honed skills to our creations.”
Potter Art Metal Studios is located at 4827 Memphis Street, Dallas, Texas 75207.  The showroom and studio are open Monday through Friday from 8 a.m. to 4 p.m. and closed Saturday and Sunday. For more information, visit www.potterartmetal.com or call 214-821-1419.

Ideas In Action

Dallas Business Journal - August 6-12, 2010



IDEAS IN ACTION


Iron Man


POTTER ART META STUDIO FORGES WORKS OF FUNCTIONAL ART WHILE GROWING A 90-YEAR-OLD FAMILY BUSINESS LEGACY
BY CHRIS CYREK | STAFF WRITER


Showers of sparks, the clank of hammer against anvil, the whir of a high-speed circular saw. These are some of the sights and sounds in Richard Potter’s Potter Art Metal Studio, a 90-year-old family enterprise. The high-end metal shop, started by Potter’s grandfather Henry in 1920, has developed a reputation for quality and artistry.


Evidence for this can be found on the bustling work floor: soaring stair railings that appear to be entwined by flaring pine cones, driveway gates that close to form the branches of an oak tree, a chandelier that looks as if it was spirited away from a hobbit’s hole.


“The quality and detail that I put into a thing,” says owner Richard Potter, a fourth-generation metalworker, “is, I think, fairly reflected in the price.”
The focus on high-end work has allowed the shop to grow despite prevailing economic pressures. “Plus, people are coming directly to the manufacturer, so they’re not dealing with a retail store markup.” Potter sells directly from the shop to customers nationwide.


The Metalwork – a typical fan/chandelier installation can run up to $10,000 – has helped Potter Metal withstand the recession.  Lean times were met with shared sacrifices as costs were cut.
A rebuilt website, new advertising initiatives and positive press concerning recent high-profile projects – such as an 11-foot tall chandelier built for the council chambers in University Park and a strikingly original fireplace built for longtime friend Trammell Crow – also are helping the studio get Potter’s name out.  “More and more contacts are from out of town and out of state,” Potter says.
Potter grew up in the shop, once located on Knox-Henderson at Central Expressway.


“When I was a kid, we didn’t have computers, barely any TV.  The fun thing for me was coming down here and spending time in the back, watching the guys making different things,” he says.


Potter took over the shop in the 1970s, continuing a business his father, grandfather and great-grandfather worked in.  Three years ago, Potter moved the shop to a larger location off of Interstate 35.
The addition of creative director Izabela Wojcik in 2005 shaped a new direction for the studio, although Potter points out that many of their techniques his crew uses would be recognizable to his grandfather.


Founder Henry Potter began the business after meeting a salesman for Sanger-Harris (now Foley’s), who ordered 100 light fixtures after seeing Potter building lights for his house.  The business quickly grew, and some of the original work done by Henry Potter can still be found around Dallas, such as lighting fixtures that dot Fair Park.


World War II brought a new focus for the business, which shifted production to building aircraft parts.  The company’s payroll swelled to hundreds of employees, and the good times continued into the post-war boom, as the Potter studios left its mark on large churches, country clubs and homes throughout the ‘50s.
The family legacy continues today, says Richard Potter.  His three children – triplets – spend their summers in the shop, learning the family craft.  It’s a point of pride for Potter.


“I’m not here (working) as a hobby,” he says.  “I’m putting out the best product, made in the most efficient way.”


Customers at Potter Metal tend to come back, time and time again.  “We get clients that are around for years,” says Wojcik.


“They definitely do stand out,” says Kathy Hatcher, an interior designer wo has worked closely with Potter for a number of years.  “Their metalwork is unsurpassed.”  Hatcher praises the metal studio’s versatility and ability to work in styles and materilals as varied as art deco, Spanish and alabaster.


“Every last bit of what they do is hand-forged, and it’s made to last for centuries, and for generations,” she says.


Potter is proud of his shop’s legacy and of its ability to custom-build products to specification.


“The only thing that I won’t do is drop my quality,” Potter says.  “I’ve had some places that I as doing fixtures for, and they asked if we could do some cheaper pieces.  I said no.  Look, I am constantly on top of my guys to build things the best way possible.  The last thing I’m going to tell them to do is to go do the opposite.”

Lanterns by Samuel Yellin


As we carefully peeled back the bubble wrap, the Samuel Yellin light fixtures were exposed to the daylight and our eyes.  They were huge; much larger then we had expected them to be.

Project Dynamics entrusted us with these treasures so that we could convert them into gas lanterns.  Also, to hand forge new backplates with matching dragon heads and other fine details.

The new details looked as if they were there all along, we also fixed the time damaged wrought iron where it needed be.  You should have seen them; I will post a few pictures of the finished work as soon as possible.

I took a picture of Richard Potter inspecting the
Samuel Yellin light fixtures; he looks so small next to them.


In case you didn't know who Samuel Yellin was, here is a little wiki read:

"American master blacksmith, was born in Galicia Poland where at the age of eleven he was apprenticed to an iron master. By the age of sixteen had had completed his apprenticeship. During that period he gained the nickname of "Devil", both for his work habits and his sense of humor. Shortly after this he left Poland, traveling through Europe to England, where, in 1906, he departed for America. By 1907 he was taking classes at the Philadelphia Museum School of Industrial Art and within a year was teaching classes there, a position that he maintained until 1919.
In 1909 he opened his own shop and in 1915 the firm of Mellor, Meigs and Howe, for whom he designed and created many commissions, designed Yellin a new studio at 5520 Arch Street in Philadelphia where he was to remain until his death in 1940. The building continued to act as a functioning business under Yellin’s son Harvey’s direction. After his demise it served as the Samuel Yellin Museum.
During the building boom of the 1920s Yellin’s studio employed as many as 250 workers, many of them European artisans. Although Yellin appreciated traditional craftsmanship and design, he always championed creativity and the development of new designs. He was no slave to the past. Samuel Yellin’s handiwork can be found on some of the finest buildings in America."

UPDATE:
We found Samuel Yellin's signature on the light fixtures! So exciting!


And check out the brand new dragon backplate!  And now they're converted to a gas hanging lantern.  That wasn't so hard.


***For more information on my designs and the ornamental ironwork and lighting our metalworkers fabricate right here in Dallas, Texas go to www.potterartmetal.com


Dallas: The City Living Tour

Richard and I went to The House at Victory Park tonight, where the Dallas Symphony Orchestra League was proud to present the City Living Tour.  It was a designer show-house in a high rise setting.  All of the pent houses on the 18th floor were on display... fully finished by local designers.  We had a great time checking out what's new and hot in the design world.
Here are all the fabulous designers who worked on the About City Living Tour... many of them we have worked or are currently working with so it was extra fun spending time with them.
Check out whose work was on display:
Amy Thomasson, April Warner, Catherine Dolen, Charlotte Comer, David Cadwallader, Jaynelle T. Ip, Jessica Savage, Joanie Wyll, John, John Holstead, Julie Reynolds, Kathy Adcock-Smith, Kay Trout, Linda Fritschy, Margaret Chambers, Meri-Kay Star, Michelle Meredith, Peggy Zadina, Rhonda Vandiver White, Richard Trimble and a special presentation by Dwell with Dignity.

October 27, 2010: View from The House at Victory Park

An Evening With The Artists

I had such a lovely evening! Two artists (Anthony Powell and Daniel Kerem) walked into our studio; one an extraordinary wood carver, sculptor, water-gilder and restorer, and the other one a fantastic metal worker and world traveler who speaks quite a few languages. As they were about to leave the studio I decided to invite them both to dinner, and so we all met at LaDuni for the evening. I couldn't get enough of the stories of travel to distant lands, art, and buttons (long story).  The company was superb, the meal was fantastic, and the stories were to die for!


Earth Day Dallas 2011


I got a sweet message from Lanny at Earth Day Dallas and thought to pass the good news along.
I hope to see everyone downtown on April 22nd and 23rd in the Arts District.  The Earth Day Dallas festivities will begin at 10 a.m. on both that Friday (the official Earth Day) and Saturday.




The festivity packed days will be full of
 EXHIBITS, FUN, FOOD, and ENTERTAINMENT:


There will be live music at the Annette Strauss Artist square and One Arts Plaza.

I know Laimis is excited about this one: a bike rally on Saturday at One Arts Plaza! Oh Yes!

The Dallas Film Society will be presenting film shorts for your education and entertainment.  You can even suggest an environmentally focused and engaging film by e-mailing to info@earthdaydallas.org

You'll get to hear the thoughts and insights of environmental experts and advocates.  See the Event Calendar for specific times.

You'll have fun and learn how to be more environmentally conscious at the family picnic that Saturday, in the central portion of the Arts District.

There will even be Free Earth Day yoga classes!!!



Justin Terveen is Rescuing Japan! One Photo at a Time...

I was going to do my tiny little part and donate to the victims of Japan's terrible 9.0 earthquake & Tsunami, but before I had a chance to do so I logged onto my Facebook. Staring me in the face was a really awesome post by Justin Terveen:


Justin is like the official photographer of Dallas I think... anyway, I love his iconic images of Dallas' architecture.  So, I clicked on the link and saw that he was getting out there and doing something really great.  His images are up for grabs: printed, mounted, and ready to be hung in your favorite place.  All the proceeds will go directly to those in need via American Red Cross.

Image donated by Justin Terveen for
Japan's earthquake & Tsunami victims.
I ended up donating my part after work today.  No matter how large or small your donation, please take the time to give.  I am sure that you would want your neighbor to do the same if you were in a terrible situation like this one or many other ones around the world and even in our own back yards.  It's so simple these days; I'm sure that your local grocery stores will be taking $1, $2, $10 and so on donations, you can also do it online at the American Red Cross web site, you can even get one of Justin's beautiful photographs, or simply text REDCROSS to 90999 in order to donate $10.

The image above will hang in my living room; it will be a constant reminder that we all have the power to change the world for the better... one little piece at a time.